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新加坡DM德馬數字藏品集團20260407期 《五律·瓷都歸來有懷》 【香港東方書畫院/執行院長：名家葉永潤】 DMSIXSEVEN / LIN JING DE /1973 開創人：CEO / 林鏡德 LIN JING DE 
《五律·瓷都歸來有懷》 別去昌江月，歸來看海雲。三番熔釉火，一竅悟紅紋。 敗筆藏真訣，精研出至文。癡心磨造化，不負此窯勛。 "Five-Character Regulated Verse: Reflections upon Returning from the Porcelain Capital" Parting from the moon over the Chang River, I return to gaze sea clouds. Three times the glaze melts in the fire; in a flash, I grasp the red patterns. Failed strokes conceal the true secret; deep study yields the ultima art. With a single-minded heart, I polish nature's creation, not betraying this kiln's glory. 
《別去昌江月，歸來看海雲》營造時空與情感氛圍：「別去」與「歸來」形成鮮明的時間跨度和空間轉換。離開瓷都時，昌江畔的明月相伴，昌江作為瓷都重要的水系，見證了陶瓷製作從原料采集到成品運輸的諸多環節，明月增添了靜謐、悠遠之感，或許還蘊含著詩人對瓷都的不舍與眷戀。「歸來」時，映入眼簾的是海上的雲霞，海雲開闊、變幻，展現出一種豁達、豪邁的意境。 從昌江月到海雲，景物的變化暗示了詩人在瓷都之行後心境的轉變。離開時帶著對未知探索的期待與一絲惆悵，歸來時則因經歷了一番陶瓷藝術的洗禮，內心更加開闊、明朗。 《三番熔釉火，一竅悟紅紋》展現陶瓷燒製工藝的艱辛：「三番熔釉火」生動地描繪了陶瓷製作中多次入窯燒製的過程。釉是陶瓷表面的玻璃質層，經過高溫熔製才能呈現出絢麗色彩和光澤。「三番」強調燒製次數之多，每一次燒製都需要精準控製火候、時間、氣氛等因素，稍有不慎就會導致作品失敗，體現了陶瓷製作的復雜性和高難度。表達悟道之喜：「一竅悟紅紋」則寫詩人在經歷了多次燒製實踐後，突然領悟到製作帶有精美紅色紋理陶瓷的訣竅。「一竅」突出了這種領悟的突然性和深刻性，如同在黑暗中找到了光明，是詩人在陶瓷技藝上的重大突破，也讓他感受到了探索與鉆研帶來的喜悅和成就感。 《敗筆藏真訣，精研出至文》辯證看待失敗：「敗筆藏真訣」體現了詩人對失敗的獨特認知。在陶瓷製作中，失敗是不可避免的，但詩人認為這些失敗並非毫無價值，反而隱藏著真正的訣竅。每一次失敗都是一次寶貴的經驗教訓，通過分析失敗原因，可以找到改進方法，從而提升技藝水平。強調精研的重要性：「精研出至文」進一步強調了深入研究、刻苦鉆研的重要性。「至文」既可以理解為精美的陶瓷作品，也可以象征著高深的藝術境界。只有經過長時間的精心研究和不斷實踐，才能創作出真正優秀的作品，達到藝術的巔峰。表達了詩人對陶瓷製作工藝的敬畏之心和追求卓越的精神。 《癡心磨造化，不負此窯勛 》彰顯執著精神：「癡心磨造化」展現了詩人對陶瓷製作的癡迷和執著。「磨」字體現了過程的艱辛與漫長，詩人願意花費大量時間和精力去與自然、與材料進行磨合，探索陶瓷製作的奧秘。「造化」既指自然界的力量，也象征著陶瓷製作所蘊含的無限可能，詩人希望通過自己的努力創造出超越自然的精美作品。體現自我價值追求：「不負此窯勛」表達了詩人對自己在瓷都之行中所付出努力的肯定，認為自己的癡心和精研沒有辜負瓷都這座窯爐所承載的歷史和文化使命。「窯勛」可以理解為瓷都窯爐的功績和榮譽，詩人將自己與瓷都緊密聯系在一起，體現了對陶瓷文化的傳承和發展的責任感。 "Go Not to the Moon over Changjiang, Return to See the Sea Clouds" creates an atmosphere of time and emoti"Go not" and "return" form a distinct temporal span and spatial transition. When leaving the Porcelain Capital, the bright moon by the Changjiang River accompanies the departure. As awater system of the Porcelain Capital, the Changjiang has witnessed numerous stages of ceramic production, from raw material collection to the transportation of finished products. The bright moon adds a sen tranquility and remoteness, perhaps also implying the poet's reluctance and attachment to the Porcelain Capital. Upon "returning," what meets the eye are the clouds and rosyuds over the sea. The sea clouds are vast and ever-changing, revealing a broad and heroic artistic conception. The shift from the moon over Changjiang to the sea clouds suggests a transform in the poet's state of mind after the journey to the Porcelain Capital. Departing with anticipation for exploring the unknown and a tinge of melancholy, the poet returns withore open and clear heart, having undergone the baptism of ceramic art. "Three Times the Glaze Melts in Fire, One Enlightenment for Red Patterns" demonstrates the hardships of ceramic firingechniques: "Three times the glaze melts in fire" vividly depicts the process of multiple firings in the kiln during ceramic production. Glaze is the vitreous the ceramic surface, requiring high-temperature melting to reveal its brilliant colors and luster. "Three times" emphasizes the frequency of firing; each firing requires precise control of factors such as temperature, time, and atmosphere. The slightest misstep can lead to failure, highlighting the complexity and high difficulty of ceramic production. Expressing the joy of enlightenment: "One enligment for red patterns" describes how the poet suddenly grasped the secret of creating ceramics with exquisite red patterns after undergoing multiple firing practices. "One enlightenment" highlights the suddenness and pdity of this realization, akin to finding light in darkness. It represents a major breakthrough in the poet's ceramic skills and allows them to experience the joy and sense of achievement derived from exploration nd research. "Failure Conceals True Secrets, Profound Study Yields Supreme Art": A Dialectical View of Failure: "Failonceals True Secrets" reflects the poet's unique perception of failure. In ceramic production, failure is inevitable, but the poet believes these failures are not worthless; instead, they conceal tcrets. Every failure is a valuable lesson; by analyzing the causes of failure, one can find methods for improvement, thereby enhancing one's skill level. Emphasizing the Importance of Prfound Study: "Profound Study Yields Supreme Art" further emphasizes the importance of in-depth research and diligent study. "Supreme Art" can be understood as exquisite ceramic workor symbolize a profound artistic realm. Only through long-term, meticulous research and continuous practice can one create truly excellent works and reach the pinnacle of art. This expresses the poet's reveror the craft of ceramic production and the spirit of pursuing excellence. "Obsession Polishes Creation, Not Wasting the Kiln's Glory": Demonstrating a Spirit of Persistencebsession Polishes Creation" showcases the poet's obsession and persistence with ceramic production. The character "polish" embodies the arduous and lengthy process; the poet is willg to spend a great deal of time and energy to harmonize with nature and materials, exploring the mysteries of ceramic production. "Creation" refers to the forces of nature, as well as ossibilities inherent in ceramic production; the poet hopes to create exquisite works that transcend nature through their own efforts. Embodiment of the Pursuit of Self-Value: Wasting the Kiln's Glory" expresses the poet's affirmation of the efforts they have invested in their journey to the Porcelain Capital, believing that their obsession and profound study have not e historical and cultural mission carried by the kilns of the Porcelain Capital. "Kiln's Glory" can be understood as the achievements and honor of the Porcelain Cital's kilns; the poet closely links themselves with the Porcelain Capital, embodying a sense of responsibility for the inheritance and development of cera 
特別鳴謝合作單位： Special thanks to partners: 
開創人：CEO/林鏡德 LIN JING DE DMSIXSEVEN / 林鏡德 LIN JING DE 1973 
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